Art

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Pavillon de l’Irak, exposition "Arcaic". Courtesy Ruya Foundation.
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Pavillon de l’Irak, exposition "Arcaic", Objet de mesure en forme de canard, antiquité babylonienne, 2 000 ans avant notre ère. Courtesy Iraq Museum, Department of Antiquities; Ministry of Culture, Tourism and Antiquities; and Ruya Foundation.
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Pavillon de l’Irak, exposition "Arcaic", Statuette, supposée représenter une déesse de la fertilité, 6 000 ans avant notre ère. Courtesy Iraq Museum, Department of Antiquities; Ministry of Culture, Tourism and Antiquities; and Ruya Foundation.
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Pavillon de l’Irak, exposition "Arcaic", Bateau, ère sumérienne, 4 000 ans avant notre ère, argile. Courtesy Iraq Museum, Department of Antiquities; Ministry of Culture, Tourism and Antiquities; and Ruya Foundation.
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Pavillon de l’Irak, exposition "Arcaic", Francis Alÿs, Untitled (from the Mosul series), 2016. Courtesy the artist and Ruya Foundation © Francis Alÿs.
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Pavillon de l’Irak, exposition "Arcaic", Ali Arkady, The Land Beyond War, 2017, Photograph from photobook project. Courtesy the artist and Ruya Foundation © Ali Arkady.
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Pavillon de l’Irak, exposition "Arcaic", Luay Fadhil, The Scribe, 2017. Courtesy the artist and Ruya Foundation © Luay Fadhil.
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Pavillon de l’Irak, exposition "Arcaic", Nadine Hattom, Until the River Winds Ninety Degrees West, 2017. Courtesy the artist and Ruya Foundation © Nadine Hattom.
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Pavillon de l’Irak, exposition "Arcaic", Sadik Kwaish Alfraji, "I am The Hunter, I am The Prey", 2017. Courtesy the artist and Ruya Foundation © Sadik Kwaish Alfraji.
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Pavillon de l’Irak, exposition "Arcaic", Sadik Kwaish Alfraji, "About Hunt, About Human", 2017. Courtesy the artist and Ruya Foundation © Sadik Kwaish Alfraji.
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Pavillon de l’Irak, exposition "Arcaic", Sakar Sleman, dessin préparatoire, 2017. Courtesy the artist and Ruya Foundation © Sakar Sleman.
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Pavillon de l’Irak, exposition "Arcaic", Sherko Abbas, The Music of the Bush Era, 2017. Courtesy the artist and Ruya Foundation © Sherko Abbas.
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Pavillon de l’Irak, exposition "Arcaic" Jewad Selim (1919-1961) Pastoral,1955. Courtesy of the family of Mohamed Makiya and Ruya Foundation © Jewad Selim.
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Pavillon de l’Irak, exposition "Arcaic" Shakir Hassan Al Said, Untitled, 1999. Courtesy of Saleh Barakat Gallery/Agial Art Gallery and Ruya Foundation © Shakir Hassan Al Said.
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Pavillon du NSK, Ahmet Öğüt, idées et dessins préliminaires pour le pavillon du NSK. Courtesy the artist and NSK State Pavilion, 2016-2017.
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Pavillon du NSK, NSK State Passports. Courtesy NSK State Pavilion.
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Pavillon du NSK, vue de l’exposition. Photo Maria Giulia Sofi.
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Hew Locke, Beyond the Sea Wall, 2014, vue de l’installation à la galerie Hales de Londres.
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Shezad Dawood, Leviathan, Episode 1: Ben , 2017. Courtesy of the artist and UBIK Productions.
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Shezad Dawood, Leviathan, Episode 2: Yasmine, 2017. Courtesy of the artist and UBIK Productions.
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Shezad Dawood, Where are we now?, 2017. Courtesy of the artist and Leviathan - Human & Marine Ecology. Photo Gianmaria De Luca.
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Shezad Dawood, Where are we now?, 2017. Courtesy of the artist and Leviathan - Human & Marine Ecology. Photo Gianmaria De Luca.
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Shezad Dawood, Wallet in dark leather with "100% Pure Leather" mark, containing discolored passport photos, 2017. Courtesy of the artist and Leviathan - Human & Marine Ecology.
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James Richards, Music for the gift, 2017. Archive image courtesy The Schwules Museum*, Berlin.
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James Richards and Steve Reinke, What weakens the flesh is the flesh itself, 2017. Courtesy James Richards and Steve Reinke and Wales, Venice.
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James Richards and Steve Reinke, What weakens the flesh is the flesh itself, 2017. Courtesy James Richards and Steve Reinke and Wales, Venice.
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James Richards and Steve Reinke, What weakens the flesh is the flesh itself, 2017. Courtesy James Richards and Steve Reinke and Wales, Venice.
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James Richards and Steve Reinke, What weakens the flesh is the flesh itself, 2017. Courtesy James Richards and Steve Reinke and Wales, Venice.
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James Richards and Steve Reinke, What weakens the flesh is the flesh itself, 2017. Courtesy James Richards and Steve Reinke and Wales, Venice.
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James Richards, Migratory Motor Complex, 2017. Courtesy Wales in Venice. Photo Jamie Woodley.
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James Richards and Steve Reinke, What weakens the flesh is the flesh itself, 2017. Courtesy Wales in Venice. Photo Jamie Woodley.
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“The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Alexander Kluge, Die sanfte Schminke des Lichts, 2007 ; Anna Viebrock, Passatoie, 2009 ; Anna Viebrock, Quattro porte, 2017. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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“The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Thomas Demand,Backyard, 2014. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Anna Viebrock, Pio Albergo Trivulzio, 2017; Alexander Kluge, Film program on 16 tablets, 2017. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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“The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Anna Viebrock, Pio Albergo Trivulzio, 2017 ; Alexander Kluge Film program on 16 tablets, 2017; Thomas Demand, Attraktion (Attraction), 2013. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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“The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Anna Viebrock, Stage, 2017; Alexander Kluge, Terror = Furcht und Schrecken (Terror = Fear and Horror), 2017. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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“The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Anna Viebrock, Display window passage, 2017 ; Anna Viebrock, Circus pedestal, 2017; Alexander Kluge, Four videos broadcasted simultaneously, 2017. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada
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“The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Vue de l’exposition. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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“The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Vue de l’exposition. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Thomas Demand, Werkstatt (Workshop), 2017. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.
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The Boat is Leaking. The Captain Lied.” Fondation Prada, Venise. Thomas Demand, Printing Factory 56, 2015; Alexander Kluge, Fuchs in winterlichen Harz (Fox in winterly Harz Mountains), 2016; Thomas Demand, Farm 31, 2015. Photo Delfino Sisto Legnani e Marco Cappelletti. Courtesy Fondazione Prada.