For his exhibition at Perrotin gallery in New York, The Reconciliation of Opposites, Jean-Michel Othoniel uses painting and sculpture to explore contradictions that reside within himself and his work. Drawing inspiration from natural forms, Othoniel grapples with the juxtapositions between minimalism and sensuality, and contemplates various aspects of his own identity through an immersive creative process. We interviewed the artist for L’Officiel St Barth, where the magnificent glass sculpture that he created, The Constellation of Pegasus, stands at the entrance to the Cheval Blanc hotel.
